“Read with much fun in 1911, LMY”. Whether this was meant as a sincere expression – or not – of her appreciation of the “indifferent verse” written by Maria Eleanor Vere Cust, her husband’s cousin-once-removed, Louisa Yorke clearly left one of her trademark comments after reading the volume. “Indifferent verse” is how Maria Cust’s biographer describes the poetry presented in Lucem sequor and other poems (1906), and to judge from an earlier privately printed publication, Songs of sunshine and shadow (1903), the comment is fairly apt. Both works at Erddig are inscribed to Maria’s father, the orientalist Robert Needham Cust, for whom she worked as a secretary. Although the name “Cust” appears infrequently in the Erddig book collections outside the Library, it highlights the continuing connections between the two families. Continue reading
Category Archives: National Trust
The survival of children’s books is sometimes one of the great strengths of country house libraries. How many of us still have the books we read as kids? How many books survive the rather unpractised handling skills of young children (my favourite book certainly didn’t make it unscathed…) or the pens, pencils, paint, food, bath water to which these books might be subjected?
Chances are that if a historic children’s book hasn’t become part of a museum or library collection, the odds are much against it. In the past, I’ve catalogued small numbers of nineteenth-century children’s books at Calke Abbey and I was really pleased to find some at Erddig. Continue reading
Nice to see NT libraries being singled out on the DRBSC blog. I’ll be posting a few more images from Erddig’s collections in the next few days!
Generally preserved in the places where they were originally assembled and read, the historic libraries of the National Trust provide an unparalleled resource for the study of private book ownership in Britain and Ireland from the fifteenth to the twentieth century. Together the libraries contain well in excess of 250,000 titles in c. 400,000 volumes, held in over 160 properties in England, Wales and Northern Ireland. They range from the grandiose collections of aristocratic bibliophiles, through to more humble libraries assembled by ordinary gentry families. The earliest collections have their roots in the fifteenth and sixteenth centuries, but most were assembled between about 1660 and the middle of the nineteenth century. More recent collections include the personal libraries of literary figures as diverse as Rudyard Kipling, Thomas Carlyle and Agatha Christie; and of public figures, notably Churchill and Disraeli. Some of the libraries are quite modest in size, but the…
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Quick post this week again – sorry! I’ve just started at Erddig, a few miles across the Welsh border near Wrexham, for a six-week book cataloguing project. I hope to continue blogging about items in the Hatfield collection, but also to post a few images from this National Trust property in due course. Continue reading
Previously, I mentioned some of the highlights of the stores collection at Calke. It is clear even at this relatively early stage (about 800 books have now been added to the Trust’s collections database and will be added in due course to COPAC), that the stores not only contain books from the final generations of Harpur Crewes, but also a substantial library from the family of Col. Godfrey Mosley (1863-1945), who married the last baronet’s eldest daughter, Hilda Harpur Crewe (1877-1949). Continue reading
Having just finished another round of cataloguing at Calke Abbey, I thought I’d show you some of my highlights. With the books in the main library fully catalogued (and in the process of receiving conservation treatment – see my last post), I am concentrating on the stores, where there are another ca. 5000 books. Being Calke, when the National Trust took on the property in the mid-80s, there were books everywhere. Some of the spirit of the chaos still permeates the house (posing an interesting conservation challenge of showing a country house in a frozen – permanent – state of decline). Continue reading
As promised, a few more impressions of the book conservation fortnight at Calke Abbey! Continue reading
First of all: a big apology! I should have posted something last week, but between a camera malfunction and a week-long holiday, I didn’t have the chance to do so.
This week, I’d like to draw your attention to a two-week book conservation in action project at Calke Abbey. Library Conservator and Special Advisor for Historic Libraries in the National Trust, Caroline Bendix and her team are at work in the Library at Calke. Continue reading
Because I’ve just started a brief book cataloguing stint at Calke Abbey again, I thought I’d reblog this post by Emile de Bruijn from 2013. The Harpur-Crewe family (the surname underwent various transformations through time, this being the last one) produced some fascinating characters – some would say eccentric, others have speculated that some of the men in the family would these days be diagnosed with a form of Asperger’s.
If Calke wasn’t already a treasure trove of weird and wonderful stuff, in the nineteenth century part of John Gardner Wilkinson’s library was bequeathed to Sir John Harpur Crewe, 9th Bt. Gardner Wilkinson, a famous Egyptologist and antiquarian, and Lady Georgiana, Sir John’s wife, were cousins and he seems to have visited Calke on several occasions, the last time in 1875 when he fell fatally ill. Gardner Wilkinson died on his way back home.
In the spirit of Calke, the books from his library are displayed in the way they were found, which in itself makes an interesting time document: the collection was in chaos when the NT took on Calke. Although now fully catalogued, this presented a few headaches for the NT cataloguers having to work within the constraints of retaining the image of Calke as a “country house in decline”. For example: how to catalogue books in several rows of stacks on the floor? This of course also posed a conundrum for the book conservators: ideally, books are kept on shelves rather than on the floor!
The current display hides the fact that the collection itself provides a vivid portrait of a Victorian intellectual’s wide ranging interests, although it can at least now be accessed virtually through COPAC and the National Trust Collections online database. As Emile indicates in his blog, Mark Purcell and Nicola Thwaite have produced this interesting guide to the libraries at Calke Abbey.
Mark Purcell and Nicola Thwaite have recently published a fascinating collection guide to the libraries at Calke Abbey.
Calke Abbey was acquired by the National Trust in 1985 and was consciously preserved as a house on the brink of ruin, a snapshot of a moment in time and a multi-dimensional archive of the history of a particular family.
As Mark and Nicola demonstrate, the books at Calke are a record of the tastes and occupations of various generations of the Harpur-Crewe family, including ‘music, novels, big-game hunting, spiritual anguish, exotic travel, improving the estate, suing the neighbours, saying your prayers, learning Latin, catching rats, or choosing the…
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As promised a while ago, today’s post goes into more detail about the removal of mould from books.
At the beginning of this year, I helped Ian Beaumont (freelance leather conservator) for a day and a half to clean the books in two bookcases in the Library at Kedleston Hall. Fortunately, the mould outbreak was spotted early on, which meant that most books just needed a little precautionary dusting. In a future post, I hope to talk a bit more about the dos and don’ts of book cleaning in general.
First things first: it is impossible to get rid of mould. Spores will always remain in the air and will always settle on surfaces if the conditions are right. Therefore, in an ideal world, one would create an environment which inactivates mould spores. Unfortunately, this is not always possible when books are kept in historic environments.
Once mould is detected, it is advisable to treat it as if the spores were still active – it is regarded a biohazard which could affect people’s health. Preferably wear disposable vinyl gloves and use a dust mask “conforming to EN149 category FFP2S” (National Trust Manual of Housekeeping, p. 84).
If the outbreak is not serious, it is possible to use a home-made extraction hood and a vacuum cleaner, fitted out with a HEPA (“High Efficiency Particulate Air”) filter. Above is a device I used at Calke Abbey recently. Note that the nozzle of the vacuum cleaner is covered with muslin, which is to stop any loose fragments from bindings being sucked up and to protect fragile surfaces.
Depending on the fragility of the binding, either a pony hair brush or a bristle shaving brush is used to clean the mould off the book in the direction of the vacuum nozzle.
So, back to Kedleston. Here, the books in one of the cases were (of course!) rather larger than the octavos I cleaned at Calke. The first step was to take them off the shelves and stack them systematically, without disturbing the order of the books. Secondly, the empty shelves were wiped clean with a duster.
Then, Ian set about cleaning the books. Before I get any comments: yes, I know he’s not wearing gloves in these images! However, the book he’s cleaning only needed a dusting, and he most definitely wore them while cleaning the mouldy books…
The actual removal of mould is therefore not rocket science, but needs to be approached with some care and awareness of one’s own health. Moreover, in the case of these eighteenth-century books, specialist knowledge of how to handle and clean them safely (i.e. without damaging them!) was also required.
Therefore, unless you know what you’re doing, when a serious mould outbreak is detected, get in touch with a professional book conservator for specialist advice, for example via ICON’s conservation register.
- R.E. Child, Mould (London: Preservation Advisory Centre, 2004, revised 2011) [http://www.bl.uk/blpac/pdf/mould.pdf]
- The National Trust, Manual of Housekeeping (London: Butterworth-Heinemann, 2006), chapters 8 (Biological agents of deterioration) and 42 (Books)
With thanks to Ian for allowing himself to be photographed 🙂