In an earlier post, I talked about a small quarto volume in the Library at Kedleston Hall, Derbyshire. This book, an abbreviation of John Jackson’s Chronological antiquities, I believe was written by Mary Assheton, Lady Curzon (1695-1776). Mother of Nathaniel Curzon, 1st Baron Scarsdale (who built the existing mansion), she has never received much attention beyond the fact that she created a rococo garden on the edge of Kedleston estate. However, Mary is gradually emerging as an intriguing character in her own right (Here she is posing as a shepherdess in an Arcadian landscape); I will get back to her in a future post in more detail.
Today, I want to reflect a bit more on the contents of the Chronological collections itself. It is one of those slightly ironic twists of historical research that the copy of Jackson’s Chronological antiquities which was at Kedleston in 1765, was sold at auction in June 1888, as part of a ‘tidying up’ exercise of the book collection. Neither do we have a record of the purchase of the book. Without further research (or more serendipity!), it is therefore impossible to know whether Mary or her husband, Nathaniel Curzon, 4th Baronet (died 1758), purchased the Kedleston copy of the Chronological antiquities, and whether Mary annotated it in preparation for her abbreviation.
What is so fascinating about her project, if we can assume the comment in the Leicester University copy of Chronological collections is correct, is that she wrote it ‘for the use of her sons’. Both Nathaniel and Assheton, his younger brother, were adults in 1755, and Nathaniel had been married for five years. So, Mary could not have written it for their personal education. However, both men (not untypically for their time) were keen to present themselves as well-educated connoisseurs of art, good taste, and fashions, in order to advance themselves in society. Since so much of eighteenth-century British culture relied on a knowledge of ancient history (Greek, Roman, Egyptian, and Hebrew), but also showed an interest in the exotic (that is, the Far East), Mary’s abbreviation can be read as a quick reference guide to the main civilisations of the past. We are beginning to see that she was a driving force behind the social aspirations of her sons, and that she took an active interest in her son Nathaniel’s building activities at Kedleston from late 1758 onwards.
Although there were two copies of her abbreviation in the Kedleston Library in the nineteenth century, when the National Trust took over ownership in the mid-1980s, only Caroline Curzon’s copy remained. It is possible that the second of the two copies was similarly the victim of the late nineteenth-century auction sales.